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(0)Lisa Dillman
A plague has brought death to the city. Two feuding crime families with blood on their hands need our hard-boiled hero, the Redeemer, to broker peace. Both his instincts and the vacant streets warn him to stay indoors, but the Redeemer ventures out into the city's underbelly to arrange for the exchange of the bodies they hold hostage.
Yuri Herrera's novel is a response to the violence of contemporary Mexico. With echoes of Romeo and Juliet,
...3) Abyss
6) Monastery
“In Del Árbol’s noir-inflected masterpiece, the past is always present, the political is always personal, and love, however fleeting, is the only redeeming grace. I loved every moment of it.” —Halley Sutton, author...
“A gothic cathedral of a novel. In one corner you will find a dark thriller, in another a humorous noir, in another a poetic existentialist text...A major work.”—Ernesto Quiñonez, author of Bodega...
A "captivating" novel from a Spanish literary star about the arrival of feral children to a tropical city in Argentina, and the quest to stop them from pulling the place into chaos (Boston Globe).
San Cristóbal was an unremarkable city—small, newly prosperous, contained by rain forest and river. But then the children arrived.
No one knew where they came from: thirty-two kids, seemingly born of the jungle, speaking an unknown
On March 10, 1920, in Pachuca, Mexico, the Compañía de Santa Gertrudis—the largest employer in the region, and a subsidiary of the United States Smelting, Refining and Mining Company—may have committed murder.
The alert was first raised at six in the morning: a fire was tearing through the El Bordo mine. After a brief evacuation, the mouths of the shafts were sealed. Company representatives hastened to assert that "no more than
...11) Kingdom Cons
In the court of the "King," everyone knows their place. But as the Artist wins hearts and egos with his ballads, uncomfortable truths emerge that shake the Kingdom to its core.
Part surreal fable and part narco-lit romance, this prize-winning novel from Yuri Herrera questions the price of keeping your integrity in a world ruled by patronage and power.
“One of Mexico’s greatest living writers,” wrote Jonathan Lethem in 2018 about Cristina Rivera Garza, “we are just barely beginning to catch up to what she has to offer.” In the years since, Rivera...