In the character of Lew Archer, Ross Macdonald redefined the private eye as a roving conscience who walks the treacherous frontier between criminal guilt and human sin—and in so doing, gave the American crime novel a psychological depth and moral complexity that his predecessors had only hinted at. Deliciously devious and tersely poetic, The Galton Case displays Ross Macdonald at the pinnacle of his form.
Almost twenty years have passed since
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