Next Train's Gone!: Will Hay: An Alternative View of British National Identity
(eBook)

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Published
Andrews UK, 2015.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781909183810

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APA Citation, 7th Edition (style guide)

Amanda J. Field., & Amanda J. Field|AUTHOR. (2015). Next Train's Gone!: Will Hay: An Alternative View of British National Identity . Andrews UK.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Amanda J. Field and Amanda J. Field|AUTHOR. 2015. Next Train's Gone!: Will Hay: An Alternative View of British National Identity. Andrews UK.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Amanda J. Field and Amanda J. Field|AUTHOR. Next Train's Gone!: Will Hay: An Alternative View of British National Identity Andrews UK, 2015.

MLA Citation, 9th Edition (style guide)

Amanda J. Field, and Amanda J. Field|AUTHOR. Next Train's Gone!: Will Hay: An Alternative View of British National Identity Andrews UK, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID374a1ff3-3850-5646-f247-ee37c6423323-eng
Full titlenext trains gone will hay an alternative view of british national identity
Authorfield amanda j
Grouping Categorybook
Last Update2023-12-01 18:07:10PM
Last Indexed2024-03-16 02:51:21AM

Book Cover Information

Image Sourcehoopla
First LoadedNov 29, 2020
Last UsedDec 29, 2023

Hoopla Extract Information

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            [0] => Art
            [1] => English, Irish, Scottish, Welsh
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    [synopsis] => In the 1930s, British film producers and critics championed the idea of 'quality' pictures - thoughtful, intelligent films that would project a particular and positive view of Britain. The result was to drive a wedge between 'national' cinema (which reflected middle-class values) and 'popular' cinema (which reflected the working-class values of the majority of cinema audiences). 'Popular' became a term of abuse, particularly directed at comedies, whose roots often lay in music-hall. A very different image of Britain emerges from these comedies, as this insightful analysis of two Will Hay films - Oh Mr. Porter (1937) and Ask a Policeman (1939) reveals.
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