Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era
(eBook)

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Published
Indiana University Press, 2016.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780253021557

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Citations

APA Citation, 7th Edition (style guide)

Charles Musser., Charles Musser|AUTHOR., Jane Marie Gaines|AUTHOR., & Pearl Bowser|AUTHOR. (2016). Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era . Indiana University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Charles Musser et al.. 2016. Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era. Indiana University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Charles Musser et al.. Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era Indiana University Press, 2016.

MLA Citation, 9th Edition (style guide)

Charles Musser, Charles Musser|AUTHOR, Jane Marie Gaines|AUTHOR, and Pearl Bowser|AUTHOR. Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era Indiana University Press, 2016.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDd1c0eff7-aac5-0798-f6a2-98c587564cea-eng
Full titleoscar micheaux and his circle african american filmmaking and race cinema of the silent era
Authormusser charles
Grouping Categorybook
Last Update2023-08-26 19:04:35PM
Last Indexed2024-04-18 05:59:30AM

Book Cover Information

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First LoadedJan 8, 2024
Last UsedJan 8, 2024

Hoopla Extract Information

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    [synopsis] => Oscar Micheaux-the most prolific African American filmmaker to date and a filmmaking giant of the silent period-has finally found his rightful place in film history. Both artist and showman, Micheaux stirred controversy in his time as he confronted issues such as lynching, miscegenation, peonage and white supremacy, passing, and corruption among black clergymen. In this important collection, prominent scholars examine Micheaux's surviving silent films, his fellow producers of race films who alternately challenged or emulated his methods, and the cultural activities that surrounded and sustained these achievements. The relationship between black film and both the stage (particularly the Lafayette Players) and the black press, issues of underdevelopment, and a genealogy of Micheaux scholarship, as well as extensive and more accurate filmographies, give a richly textured portrait of this era. The essays will fascinate the general public as well as scholars in the fields of film studies, cultural studies, and African American history. This thoroughly readable collection is a superb reference work lavishly illustrated with rare photographs.
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