The Mind's Eye Guide to Composition: Painless Photographic Compositions
(eBook)

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Published
BookBaby, 2014.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781619278738

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Citations

APA Citation, 7th Edition (style guide)

Bob Wayland., & Bob Wayland|AUTHOR. (2014). The Mind's Eye Guide to Composition: Painless Photographic Compositions . BookBaby.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Bob Wayland and Bob Wayland|AUTHOR. 2014. The Mind's Eye Guide to Composition: Painless Photographic Compositions. BookBaby.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Bob Wayland and Bob Wayland|AUTHOR. The Mind's Eye Guide to Composition: Painless Photographic Compositions BookBaby, 2014.

MLA Citation, 9th Edition (style guide)

Bob Wayland, and Bob Wayland|AUTHOR. The Mind's Eye Guide to Composition: Painless Photographic Compositions BookBaby, 2014.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID765dda10-3dcf-6cf1-d14f-63e4b179c409-eng
Full titleminds eye guide to composition painless photographic compositions
Authorwayland bob
Grouping Categorybook
Last Update2023-04-10 19:00:09PM
Last Indexed2024-04-18 04:19:42AM

Book Cover Information

Image Sourcehoopla
First LoadedDec 27, 2023
Last UsedMar 25, 2024

Hoopla Extract Information

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    [synopsis] => When we first start perception and interpretation of what we are observing, normal physiological and psychological responses take over. This means that from a very early age, we are forming concepts of composition that guide our eye and interpretation of images; this is our outlook on the world around us, concepts that are unique to the individual. As we gain more and more knowledge, not only of artistic endeavors, but also from our experiences in the world, we form a unique set of compositional rules; perhaps it is better to call them guidelines. This forced me to ask a very important question: "What is the relationship of your psychological compositional rules (guidelines?) to those of formal art training? This book is my answer.
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