Creaturely Poetics: Animality and Vulnerability in Literature and Film
(eBook)

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Published
Columbia University Press, 2011.
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Available Online

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Format
eBook
Language
English
ISBN
9780231519854

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APA Citation, 7th Edition (style guide)

Anat Pick., & Anat Pick|AUTHOR. (2011). Creaturely Poetics: Animality and Vulnerability in Literature and Film . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Anat Pick and Anat Pick|AUTHOR. 2011. Creaturely Poetics: Animality and Vulnerability in Literature and Film. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Anat Pick and Anat Pick|AUTHOR. Creaturely Poetics: Animality and Vulnerability in Literature and Film Columbia University Press, 2011.

MLA Citation, 9th Edition (style guide)

Anat Pick, and Anat Pick|AUTHOR. Creaturely Poetics: Animality and Vulnerability in Literature and Film Columbia University Press, 2011.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDbd312a63-a67b-10a4-16d6-568c91fd4668-eng
Full titlecreaturely poetics animality and vulnerability in literature and film
Authorpick anat
Grouping Categorybook
Last Update2023-12-01 18:07:10PM
Last Indexed2024-04-18 05:35:33AM

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First LoadedMar 17, 2021
Last UsedApr 18, 2024

Hoopla Extract Information

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    [synopsis] => Simone Weil once wrote that "the vulnerability of precious things is beautiful because vulnerability is a mark of existence." With these words, she established a relationship among vulnerability, beauty, and existence that transcends the boundaries separating the species. Her conception of a radical ethics and aesthetics could be characterized as a new "poetics of species," that forces us to rethink the significance of the body, both human and animal. Exploring the "logic of flesh," or how art and culture use the body to mark species identity, Anat Pick reimagines a poetics that begins with the vulnerability of bodies, not the omnipotence of thought. Offering a powerful alternative to more personalist visions of morality, Pick proposes a "creaturely" approach based on the shared embodiedness of humans and animals and a postsecular perspective on human-animal relations. She turns to literature, film, and other cultural texts that prioritize the inhuman and challenge the familiar inventory of the human (consciousness, language, morality, and dignity). She reintroduces Weil's crucially important work and its elaboration of themes such as witnessing, commemoration, and collective memory, and she moves away from assumptions about animal "otherness" and nonhuman subjectivities. Pick identifies the "animal" within all humans, emphasizing the corporeal and its issues of power and freedom. In her creaturely view, powerlessness is the point at which both aesthetic and ethical thinking must begin.
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