Mediamorphosis: Kafka And The Moving Image
(eBook)

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Published
Columbia University Press, 2016.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780231850896

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APA Citation, 7th Edition (style guide)

Shai Biderman., & Shai Biderman|AUTHOR. (2016). Mediamorphosis: Kafka And The Moving Image . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Shai Biderman and Shai Biderman|AUTHOR. 2016. Mediamorphosis: Kafka And The Moving Image. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Shai Biderman and Shai Biderman|AUTHOR. Mediamorphosis: Kafka And The Moving Image Columbia University Press, 2016.

MLA Citation, 9th Edition (style guide)

Shai Biderman, and Shai Biderman|AUTHOR. Mediamorphosis: Kafka And The Moving Image Columbia University Press, 2016.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDdc5470d4-8e3f-2c78-cf36-65a45bb37de0-eng
Full titlemediamorphosis kafka and the moving image
Authorbiderman shai
Grouping Categorybook
Last Update2023-12-01 18:07:10PM
Last Indexed2024-04-24 05:31:33AM

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Image Sourcehoopla
First LoadedJan 14, 2024
Last UsedMar 29, 2024

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    [synopsis] => The idea of a visual manifestation of the work of Franz Kafka was denied by many - first and foremost by Kafka himself, who famously urged his publisher to avoid an image of an insect on the cover of Metamorphosis. Be that as it may, it is unlikely that such a central progenitor of twentieth-century art and thought as Kafka can be fully understood without reference to the revolutionary artistic medium of his century: cinema. Mediamorphosis compiles articles by some of today's leading forces in the scholarship of Kafka as well as film studies to provide a thorough investigation of the reciprocal relations between Kafka's work and the cinematic medium. The volume approaches the theoretical integration of Kafka and cinema via such issues as the cinematic qualities in Kafka's prose and the possibility of a visual manifestation of the Kafkaesque. Alongside these debates, the book investigates the capacity of cinema to incorporate and express the unique qualities of a Kafkaesque world through an analysis of cinematic adaptations of Kafka's prose, such as Michael Haneke's The Castle (1997) and Straub-Huillet's Class Relations (1984), as well as films that carry a more subtle relation to Kafka's oeuvre, such as the cinematic works of David Cronenberg, the films of the Coen brothers, Chris Marker's "film-essay," Charlie Chaplin's tramp, and others.
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