Dolores del Río: Beauty in Light and Shade
(eBook)

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Published
Stanford University Press, 2013.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780804786218

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Citations

APA Citation, 7th Edition (style guide)

Linda B. Hall., & Linda B. Hall|AUTHOR. (2013). Dolores del Río: Beauty in Light and Shade . Stanford University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Linda B. Hall and Linda B. Hall|AUTHOR. 2013. Dolores Del Río: Beauty in Light and Shade. Stanford University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Linda B. Hall and Linda B. Hall|AUTHOR. Dolores Del Río: Beauty in Light and Shade Stanford University Press, 2013.

MLA Citation, 9th Edition (style guide)

Linda B. Hall, and Linda B. Hall|AUTHOR. Dolores Del Río: Beauty in Light and Shade Stanford University Press, 2013.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID43ccde41-8fcc-43b3-b126-342776d0ea75-eng
Full titledolores del río beauty in light and shade
Authorhall linda b
Grouping Categorybook
Last Update2023-12-01 18:07:10PM
Last Indexed2024-04-18 03:24:41AM

Book Cover Information

Image Sourcehoopla
First LoadedJan 7, 2024
Last UsedFeb 27, 2024

Hoopla Extract Information

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    [synopsis] => Dolores del Río's enormously successful career in Hollywood, in Mexico, and internationally illuminates issues of race, ethnicity, and gender through the lenses of beauty and celebrity. She and her husband left Mexico in 1925, as both their well-to-do families suffered from the economic downturn that followed the Mexican Revolution. Far from being stigmatized as a woman of color, she was acknowledged as the epitome of beauty in the Hollywood of the 1920s and early 1930s. While she insisted upon her ethnicity, she was nevertheless coded white by the film industry and its fans, and she appeared for more than a decade as a romantic lead opposite white actors. Returning to Mexico in the early 1940s, she brought enthusiasm and prestige to the Golden Age of Mexican cinema, becoming one of the great divas of Mexican film. With struggle and perseverance, she overcame the influence of men in both countries who hoped to dominate her, ultimately controlling her own life professionally and personally.
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