The Marriage of Figaro
(eBook)

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Published
Neeland Media LLC, 2011.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781420943573

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Citations

APA Citation, 7th Edition (style guide)

Pierre-Augustin Caron De Beaumarchais., & Pierre-Augustin Caron De Beaumarchais|AUTHOR. (2011). The Marriage of Figaro . Neeland Media LLC.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Pierre-Augustin Caron De Beaumarchais and Pierre-Augustin Caron De Beaumarchais|AUTHOR. 2011. The Marriage of Figaro. Neeland Media LLC.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Pierre-Augustin Caron De Beaumarchais and Pierre-Augustin Caron De Beaumarchais|AUTHOR. The Marriage of Figaro Neeland Media LLC, 2011.

MLA Citation, 9th Edition (style guide)

Pierre-Augustin Caron De Beaumarchais, and Pierre-Augustin Caron De Beaumarchais|AUTHOR. The Marriage of Figaro Neeland Media LLC, 2011.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDb6bf7c69-23a5-2868-5825-0bf67b91ec9c-eng
Full titlemarriage of figaro
Authorbeaumarchais pierre augustin caron de
Grouping Categorybook
Last Update2023-10-20 19:06:45PM
Last Indexed2024-04-24 04:57:45AM

Book Cover Information

Image Sourcehoopla
First LoadedFeb 1, 2020
Last UsedSep 19, 2023

Hoopla Extract Information

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    [synopsis] => "The Marriage of Figaro" is the second in the Figaro Trilogy, preceded by "The Barber of Seville" and followed by "The Guilty Mother". It was originally a comic opera, or a mixture of spoken play with music. This play was considered a foreshadowing of the French Revolution in its offense of the rights of the aristocracy. It was first banned in Vienna due to its satire of the nobility, considered dangerous in the decade before the revolution. Thanks to the great success of its predecessor, it opened with enormous success, eventually becoming one of Mozart's most successful operatic works.
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