Art of Islam
(eBook)

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Published
Parkstone International, 2012.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781780429939

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Citations

APA Citation, 7th Edition (style guide)

Gaston Migeon., Gaston Migeon|AUTHOR., & Henri Saladin|AUTHOR. (2012). Art of Islam . Parkstone International.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Gaston Migeon, Gaston Migeon|AUTHOR and Henri Saladin|AUTHOR. 2012. Art of Islam. Parkstone International.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Gaston Migeon, Gaston Migeon|AUTHOR and Henri Saladin|AUTHOR. Art of Islam Parkstone International, 2012.

MLA Citation, 9th Edition (style guide)

Gaston Migeon, Gaston Migeon|AUTHOR, and Henri Saladin|AUTHOR. Art of Islam Parkstone International, 2012.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID746aeae4-a61e-2b7e-99a9-aca7651b5c3e-eng
Full titleart of islam
Authormigeon gaston
Grouping Categorybook
Last Update2023-12-01 18:07:10PM
Last Indexed2024-04-18 04:17:43AM

Book Cover Information

Image Sourcehoopla
First LoadedSep 23, 2022
Last UsedApr 5, 2024

Hoopla Extract Information

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    [synopsis] => Islamic art is not the art of a nation or of a people, but that of a religion: Islam. Spreading from the Arabian Peninsula, the proselyte believers conquered, in a few centuries, a territory spreading from the Atlantic to the Indian Ocean. Multicultural and multi-ethnical, this polymorphic and highly spiritual art, in which all representation of Man and God were prohibited, developed canons and various motives of great decorative value. Thorough and inventive, these artists expressed their beliefs by creating monumental masterpieces such as the Al-Aqsa mosque in Jerusalem, the Taj Mahal in Agra and the Alhambra in Granada, architectural works in which one recognizes the stylization of motives of the Muslim ceramics. Lively and colored, Islamic art mirrors the richness of these people whose common denominator was the belief in one singular truth: the absolute necessity of creating works whose beauty equaled their respect for God.
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