Cubism
(eBook)

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Published
Parkstone International, 2012.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781780428000

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Citations

APA Citation, 7th Edition (style guide)

Guillaume Apollinaire., Guillaume Apollinaire|AUTHOR., & Dorothea Eimert|AUTHOR. (2012). Cubism . Parkstone International.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Guillaume Apollinaire, Guillaume Apollinaire|AUTHOR and Dorothea Eimert|AUTHOR. 2012. Cubism. Parkstone International.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Guillaume Apollinaire, Guillaume Apollinaire|AUTHOR and Dorothea Eimert|AUTHOR. Cubism Parkstone International, 2012.

MLA Citation, 9th Edition (style guide)

Guillaume Apollinaire, Guillaume Apollinaire|AUTHOR, and Dorothea Eimert|AUTHOR. Cubism Parkstone International, 2012.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work IDfaf0b105-7cff-ae47-4ecf-87e0a445c678-eng
Full titlecubism
Authorapollinaire guillaume
Grouping Categorybook
Last Update2024-02-03 18:08:21PM
Last Indexed2024-04-18 06:43:27AM

Book Cover Information

Image Sourcehoopla
First LoadedJan 5, 2024
Last UsedJan 5, 2024

Hoopla Extract Information

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    [synopsis] => Les Demoiselles d'Avignon: five young women that changed modern art forever. Faces seen simultaneously from the front and in profile, angular bodies whose once voluptuous feminine forms disappear behind asymmetric lines - with this work, Picasso revolutionized the entire history of painting. Cubism was thus born in 1907. Transforming natural forms into cylinders and cubes, painters like Juan Gris and Robert Delaunay, led by Braque and Picasso, imposed a new vision upon the world that was in total opposition to the principles of the Impressionists. Largely diffused in Europe, Cubism developed rapidly in successive phases that brought art history to all the richness of the 20th century: from the futurism of Boccioni to the abstraction of Kandinsky, from the suprematism of Malevich to the constructivism of Tatlin. Linking the core text of Guillaume Apollinaire with the studies of Dr. Dorothea Eimert, this work offers a new interpretation of modernity's crucial moment, and permits the reader to rediscover, through their biographies, the principal representatives of the movement.
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