Ukiyo-E
(eBook)

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Published
Parkstone International, 2023.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781781609491

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Citations

APA Citation, 7th Edition (style guide)

Dora Amsden., Dora Amsden|AUTHOR., & Woldermar von Seidlitz|AUTHOR. (2023). Ukiyo-E . Parkstone International.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Dora Amsden, Dora Amsden|AUTHOR and Woldermar von Seidlitz|AUTHOR. 2023. Ukiyo-E. Parkstone International.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Dora Amsden, Dora Amsden|AUTHOR and Woldermar von Seidlitz|AUTHOR. Ukiyo-E Parkstone International, 2023.

MLA Citation, 9th Edition (style guide)

Dora Amsden, Dora Amsden|AUTHOR, and Woldermar von Seidlitz|AUTHOR. Ukiyo-E Parkstone International, 2023.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID2adb4ca1-db56-5041-0214-e590862c1782-eng
Full titleukiyo e
Authoramsden dora
Grouping Categorybook
Last Update2023-11-28 18:12:23PM
Last Indexed2024-04-24 02:48:21AM

Book Cover Information

Image Sourcehoopla
First LoadedMar 11, 2021
Last UsedAug 29, 2023

Hoopla Extract Information

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    [synopsis] => Ukiyo-e ('pictures of the floating world') is a branch of Japanese art which originated during the period of prosperity in Edo (1615-1868). Characteristic of this period, the prints are the collective work of an artist, an engraver, and a printer. Created on account of their low cost thanks to the progression of the technique, they represent daily life, women, actors of kabuki theatre, or even sumo wrestlers. Landscape would also later establish itself as a favourite subject. Moronobu, the founder, Shunsho, Utamaro, Hokusai, and even Hiroshige are the most widely-celebrated artists of the movement. In 1868, Japan opened up to the West. The masterful technique, the delicacy of the works, and their graphic precision immediately seduced the West and influenced greats such as the Impressionists, Van Gogh, and Klimt. This is known as the period of 'Japonisme'. Through a thematic analysis, Woldemar von Seidlitz and Dora Amsden implicitly underline the immense influence which this movement had on the entire artistic scene of the West. These magnificent prints represent the evolution of the feminine ideal, the place of the Gods, and the importance accorded to landscape, and are also an invaluable witness to a society now long gone.
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