The Postwar Novel in Canada: Narrative Patterns and Reader Response
(eBook)

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Published
Wilfrid Laurier University Press, 2006.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781554587018

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Citations

APA Citation, 7th Edition (style guide)

Rosmarin Heidenreich., & Rosmarin Heidenreich|AUTHOR. (2006). The Postwar Novel in Canada: Narrative Patterns and Reader Response . Wilfrid Laurier University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Rosmarin Heidenreich and Rosmarin Heidenreich|AUTHOR. 2006. The Postwar Novel in Canada: Narrative Patterns and Reader Response. Wilfrid Laurier University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Rosmarin Heidenreich and Rosmarin Heidenreich|AUTHOR. The Postwar Novel in Canada: Narrative Patterns and Reader Response Wilfrid Laurier University Press, 2006.

MLA Citation, 9th Edition (style guide)

Rosmarin Heidenreich, and Rosmarin Heidenreich|AUTHOR. The Postwar Novel in Canada: Narrative Patterns and Reader Response Wilfrid Laurier University Press, 2006.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID9f1cba30-9e1a-f73b-0486-0ec480978b08-eng
Full titlepostwar novel in canada narrative patterns and reader response
Authorheidenreich rosmarin
Grouping Categorybook
Last Update2023-12-01 18:07:10PM
Last Indexed2024-04-24 04:35:52AM

Book Cover Information

Image Sourcehoopla
First LoadedDec 30, 2023
Last UsedJan 9, 2024

Hoopla Extract Information

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    [synopsis] => As a comparative study which includes the analysis of both English-Canadian and Quebec novels, this book provides an overview of the novel as it has developed in this country since the Second World War. Focusing on narratological rather than thematic elements, the book represents a systematic application of the insights and analytical tools of reader-reception theory, in particular the models proposed by Wolfgang Iser and Hans Robert Jauss. Placing the emphasis on the text and its effects rather than on the historical or psycho-sociological genesis of the text, the author invokes the models and paradigms of other literatures to establish a broader cultural context permitting the significance of a literature to emerge as a carrier of meaning in and beyond the culture that produces it. Tracing a critical path from Hugh MacLennan's hierarchic romance structures and Gabrielle Roy's social realism to the metafictions of Hubert Aquin and Timothy Findley, the author reveals that the novel's narratological features themselves are often closely linked with ideological positions.
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