Image and Identity: Reflections on Canadian Film and Culture
(eBook)

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Published
Wilfrid Laurier University Press, 2006.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781554586776

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Citations

APA Citation, 7th Edition (style guide)

R. Bruce Elder., & R. Bruce Elder|AUTHOR. (2006). Image and Identity: Reflections on Canadian Film and Culture . Wilfrid Laurier University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

R. Bruce Elder and R. Bruce Elder|AUTHOR. 2006. Image and Identity: Reflections On Canadian Film and Culture. Wilfrid Laurier University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

R. Bruce Elder and R. Bruce Elder|AUTHOR. Image and Identity: Reflections On Canadian Film and Culture Wilfrid Laurier University Press, 2006.

MLA Citation, 9th Edition (style guide)

R. Bruce Elder, and R. Bruce Elder|AUTHOR. Image and Identity: Reflections On Canadian Film and Culture Wilfrid Laurier University Press, 2006.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID0f2a1f66-206c-b34b-c61c-5663fcbcc417-eng
Full titleimage and identity reflections on canadian film and culture
Authorelder r bruce
Grouping Categorybook
Last Update2023-12-01 18:07:10PM
Last Indexed2024-04-24 02:19:20AM

Book Cover Information

Image Sourcehoopla
First LoadedJan 8, 2024
Last UsedJan 8, 2024

Hoopla Extract Information

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    [synopsis] => What do images of the body, which recent poets and filmmakers have given us, tell us about ourselves, about the way we think and about the culture in which we live? In his new book A Body of Vision, R. Bruce Elder situates contemporary poetic and cinematic body images in their cultural context. Elder examines how recent artists have tried to recognize and to convey primordial forms of experiences. He proposes the daring thesis that in their efforts to do so; artists have resorted to gnostic models of consciousness. He argues that the attempt to convey these primordial modes of awareness demands a different conception of artistic meaning from any of those that currently dominate contemporary critical discussion. By reworking theories and speech in highly original ways, Elder formulates this new conception. The works of Brakhage, Artaud, Schneeman, Cohen and others lie naked under Elder's razor-sharp dissecting knife and he exposes the essence of their work, cutting deeply into the themes and theses from which the works are derived. His remarks on the gaps in contemporary critical practices will likely become the focus of much debate.
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