Intimacy, Performance, and the Lied in the Early Nineteenth Century
(eBook)

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Published
Indiana University Press, 2018.
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Available Online
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eBook
Language
English
ISBN
9780253035790
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APA Citation (style guide)

Jennifer Ronyak., & Jennifer Ronyak|AUTHOR. (2018). Intimacy, Performance, and the Lied in the Early Nineteenth Century. Indiana University Press.

Chicago / Turabian - Author Date Citation (style guide)

Jennifer Ronyak and Jennifer Ronyak|AUTHOR. 2018. Intimacy, Performance, and the Lied in the Early Nineteenth Century. Indiana University Press.

Chicago / Turabian - Humanities Citation (style guide)

Jennifer Ronyak and Jennifer Ronyak|AUTHOR, Intimacy, Performance, and the Lied in the Early Nineteenth Century. Indiana University Press, 2018.

MLA Citation (style guide)

Jennifer Ronyak, and Jennifer Ronyak|AUTHOR. Intimacy, Performance, and the Lied in the Early Nineteenth Century. Indiana University Press, 2018. Web.

Note! Citation formats are based on standards as of July 2010. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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Grouped Work ID725fc491-33cc-0214-fc07-5c1a1c2e604f
Full titleintimacy performance and the lied in the early nineteenth century
Authorronyak jennifer
Grouping Categorybook
Last Update2020-09-25 18:36:21PM
Last Indexed2021-05-07 03:12:18AM

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First LoadedOct 15, 2019
Last UsedFeb 22, 2021

Hoopla Extract Information

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    [synopsis] => The German lied, or art song, is considered one of the most intimate of all musical genres-often focused on the poetic speaker's inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance.
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