Color Problems: A Practical Manual for the Lay Student of Color
(eBook)

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Published
Sacred Bones Books, 2018.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780999609958

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Citations

APA Citation, 7th Edition (style guide)

Emily Noyes Vanderpoel., & Emily Noyes Vanderpoel|AUTHOR. (2018). Color Problems: A Practical Manual for the Lay Student of Color . Sacred Bones Books.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Emily Noyes Vanderpoel and Emily Noyes Vanderpoel|AUTHOR. 2018. Color Problems: A Practical Manual for the Lay Student of Color. Sacred Bones Books.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Emily Noyes Vanderpoel and Emily Noyes Vanderpoel|AUTHOR. Color Problems: A Practical Manual for the Lay Student of Color Sacred Bones Books, 2018.

MLA Citation, 9th Edition (style guide)

Emily Noyes Vanderpoel, and Emily Noyes Vanderpoel|AUTHOR. Color Problems: A Practical Manual for the Lay Student of Color Sacred Bones Books, 2018.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID79787de3-0cda-11e3-fce8-1b340565a636-eng
Full titlecolor problems a practical manual for the lay student of color
Authorvanderpoel emily noyes
Grouping Categorybook
Last Update2023-09-03 19:04:49PM
Last Indexed2024-03-28 04:01:49AM

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Image Sourcesyndetics
First LoadedMar 25, 2023
Last UsedNov 3, 2023

Hoopla Extract Information

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    [synopsis] => Emily Noyes Vanderpoel (1842-1939) was an artist, collector, scholar, and historian working at the dawn of the 20th century. Her first and most prominent work, Color Problems: A Practical Manual for the Lay Student of Color, provides a comprehensive overview of the main ideas of color theory at the time, as well as her wildly original approaches to color analysis and interaction. Through a 21st century lens, she appears to stumble upon midcentury design and minimalism decades prior to those movements. Presenting her work as a painting manual under the guise and genre of flower painting and the decorative arts- subjects considered "appropriate" for a woman of her time-she was able to present a thoroughly studied, yet uniquely poetic, approach to color theory that was later taken up and popularized by men and became ubiquitous in contemporary art departments. Her remarkable inventiveness shines in a series of gridded squares, each 10 x 10, that analyze the proportions of color derived from actual objects: Assyrian tiles, Persian rugs, an Egyptian mummy case, and even a teacup and saucer. Vanderpoel had a deep knowledge of ceramics and analyzed many pieces from her personal collection. She leaves her process relatively mysterious but what is clear.
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