The Call of the Heart: John M. Stahl and Hollywood Melodrama
(eBook)

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Published
John Libbey Publishing, 2018.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780861969531

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Citations

APA Citation, 7th Edition (style guide)

Various Authors., & Various Authors|AUTHOR. (2018). The Call of the Heart: John M. Stahl and Hollywood Melodrama . John Libbey Publishing.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. 2018. The Call of the Heart: John M. Stahl and Hollywood Melodrama. John Libbey Publishing.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. The Call of the Heart: John M. Stahl and Hollywood Melodrama John Libbey Publishing, 2018.

MLA Citation, 9th Edition (style guide)

Various Authors, and Various Authors|AUTHOR. The Call of the Heart: John M. Stahl and Hollywood Melodrama John Libbey Publishing, 2018.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID9e4bd38e-fa19-e87a-e874-50fc5da73f81-eng
Full titlecall of the heart john m stahl and hollywood melodrama
Authorauthors various
Grouping Categorybook
Last Update2023-12-01 18:07:10PM
Last Indexed2024-04-17 04:47:39AM

Book Cover Information

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First LoadedFeb 17, 2024
Last UsedFeb 17, 2024

Hoopla Extract Information

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    [synopsis] => The profusion of research on film history means that there are now few Hollywood filmmakers in the category of Neglected Master; John M Stahl (1886–1950) has been stuck in it for far too long. His strong association with melodrama and the woman's film is a key to this neglect; those mainstays of popular cinema are no longer the object of critical scorn or indifference, but Stahl has until now hardly benefited from this welcome change in attitude. His remarkable silent melodramas were either lost, or buried in archives, while his major sound films such as Imitation of Life and Magnificent Obsession, equally successful in their time, have been overshadowed by the glamour of the 1950s remakes by Douglas Sirk. Sirk is a far from neglected figure; Stahl's much longer Hollywood career deserves attention and celebration in its own right, as this book definitively shows. Drawing on a wide range of film and document archives, scholars from three continents come together to cover Stahl's work, as director and also producer, from its beginnings during World War I to his death, as a still active filmmaker, in 1950. Between them they make a strong case for Stahl as an important figure in cinema history, and as author of many films that still have the power to move their audiences.
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