Art of Memories: Curating at the Hermitage
(eBook)

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Published
Columbia University Press, 2019.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780231549561

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APA Citation, 7th Edition (style guide)

Vincent Antonin Lépinay., & Vincent Antonin Lépinay|AUTHOR. (2019). Art of Memories: Curating at the Hermitage . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Vincent Antonin Lépinay and Vincent Antonin Lépinay|AUTHOR. 2019. Art of Memories: Curating At the Hermitage. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Vincent Antonin Lépinay and Vincent Antonin Lépinay|AUTHOR. Art of Memories: Curating At the Hermitage Columbia University Press, 2019.

MLA Citation, 9th Edition (style guide)

Vincent Antonin Lépinay, and Vincent Antonin Lépinay|AUTHOR. Art of Memories: Curating At the Hermitage Columbia University Press, 2019.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID3bd39328-f13f-0a97-397c-6457e163e4fa-eng
Full titleart of memories curating at the hermitage
Authorlépinay vincent antonin
Grouping Categorybook
Last Update2023-12-01 18:07:10PM
Last Indexed2024-04-18 03:16:23AM

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First LoadedAug 30, 2023
Last UsedMar 18, 2024

Hoopla Extract Information

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    [synopsis] => Once the home of Catherine the Great's private art collection, Russia's State Hermitage Museum became the largest museum in the Soviet Union and, since the collapse of the USSR, one of the most active museums in the world. The Hermitage is a global model for the collection and preservation of fine art, deeply shaped by its need to protect itself and its holdings from the world beyond its gates. In Art of Memories, Vincent Antonin Lépinay documents the Hermitage's curatorial practices in an innovative consideration of the museum as a cultural laboratory.
Lépinay analyzes the tensions between the museum as a space of exploration of the collections and as a culture heavily invested in self-protection from the outside world. During a time when traveling abroad was rare, a generation of art historians produced a culture of confined scholarship premised on their proximity to the holdings of a museum enclave. As the Hermitage has become increasingly present on the world museum scene, its culture of secrecy and orality has endured. Lépinay analyzes the ethos of Hermitage curators and scholars over the transition from Soviet to post-Soviet museum cultures, considering the mobility of art, documentation of the collection, and the transformation of expertise. Based on Lépinay's extraordinary access to the Hermitage and the scholars who work there, Art of Memories opens the door of one of the world's great museums to reveal how art history is made. It is an essential study for readers interested in the role that outside forces play in culture, organizations, and the production of knowledge.
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