Authors and Apparatus: A Media History of Copyright
(eBook)

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Published
Cornell University Press, 2019.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781501734991

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Citations

APA Citation, 7th Edition (style guide)

Monika Dommann., & Monika Dommann|AUTHOR. (2019). Authors and Apparatus: A Media History of Copyright . Cornell University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Monika Dommann and Monika Dommann|AUTHOR. 2019. Authors and Apparatus: A Media History of Copyright. Cornell University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Monika Dommann and Monika Dommann|AUTHOR. Authors and Apparatus: A Media History of Copyright Cornell University Press, 2019.

MLA Citation, 9th Edition (style guide)

Monika Dommann, and Monika Dommann|AUTHOR. Authors and Apparatus: A Media History of Copyright Cornell University Press, 2019.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID357f7ee9-c7b3-fd77-61f9-0cfb978c31c9-eng
Full titleauthors and apparatus a media history of copyright
Authordommann monika
Grouping Categorybook
Last Update2024-02-21 18:12:48PM
Last Indexed2024-04-24 02:57:46AM

Book Cover Information

Image Sourcehoopla
First LoadedDec 30, 2023
Last UsedDec 30, 2023

Hoopla Extract Information

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    [synopsis] => Copyright is under siege. From file sharing to vast library scanning projects, new technologies, actors, and attitudes toward intellectual property threaten the value of creative work. However, while digital media and the Internet have made making and sharing perfect copies of original works almost effortless, debates about protecting authors' rights are nothing new. In this sweeping account of the evolution of copyright law since the mid-nineteenth century, Monika Dommann explores how radical media changes-from sheet music and phonographs to photocopiers and networked information systems-have challenged and transformed legal and cultural concept of authors' rights.Dommann provides a critical transatlantic perspective on developments in copyright law and mechanical reproduction of words and music, charting how artists, media companies, and lawmakers in the United States and western Europe approached the complex tangle of technological innovation, intellectual property, and consumer interests. From the seemingly innocuous music box, invented around 1800, to BASF's magnetic tapes and Xerox machines, she demonstrates how copyright has been continuously destabilized by emerging technologies, requiring new legal norms to regulate commercial and private copying practices. Without minimizing digital media's radical disruption to notions of intellectual property, Dommann uncovers the deep historical roots of the conflict between copyright and media-a story that can inform present-day debates over the legal protection of authorship.
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