Metropolitan Fetish: African Sculpture and the Imperial French Invention of Primitive Art
(eBook)

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Published
Cornell University Press, 2019.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781501736377

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Citations

APA Citation, 7th Edition (style guide)

John Warne Monroe., & John Warne Monroe|AUTHOR. (2019). Metropolitan Fetish: African Sculpture and the Imperial French Invention of Primitive Art . Cornell University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

John Warne Monroe and John Warne Monroe|AUTHOR. 2019. Metropolitan Fetish: African Sculpture and the Imperial French Invention of Primitive Art. Cornell University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

John Warne Monroe and John Warne Monroe|AUTHOR. Metropolitan Fetish: African Sculpture and the Imperial French Invention of Primitive Art Cornell University Press, 2019.

MLA Citation, 9th Edition (style guide)

John Warne Monroe, and John Warne Monroe|AUTHOR. Metropolitan Fetish: African Sculpture and the Imperial French Invention of Primitive Art Cornell University Press, 2019.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID3b77e9f3-6aef-0cef-8b5c-eaa0735964c6-eng
Full titlemetropolitan fetish african sculpture and the imperial french invention of primitive art
Authormonroe john warne
Grouping Categorybook
Last Update2023-12-01 18:07:10PM
Last Indexed2024-04-24 03:03:27AM

Book Cover Information

Image Sourcehoopla
First LoadedSep 21, 2023
Last UsedDec 22, 2023

Hoopla Extract Information

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    [synopsis] => From the 1880s to 1940, French colonial officials, businessmen and soldiers, returning from overseas postings, brought home wooden masks and figures from Africa. This imperial and cultural power-play is the jumping-off point for a story that travels from sub-Saharan Africa to Parisian art galleries; from the pages of fashion magazines, through the doors of the Louvre, to world fairs and international auction rooms; into the apartments of avant-garde critics and poets; to the streets of Harlem, and then full-circle back to colonial museums and schools in Dakar, Bamako, and Abidjan. John Warne Monroe guides us on this journey, one that goes far beyond the world of Picasso, Matisse, and Braque, to show how the Modernist avant-garde and the European colonial project influenced each other in profound and unexpected ways. Metropolitan Fetish reveals the complex trajectory of African material culture in the West and provides a map of that passage, tracing the interaction of cultural and imperial power. A broad and far-reaching history of the French reception of African art, it brings to life an era in which the aesthetic category of "primitive art" was invented.
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