The Coen Brothers
(eBook)

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Published
Abrams, 2018.
Status
Available Online
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Format
eBook
Language
English
ISBN
9781683356011
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Citations
APA Citation (style guide)

Adam Nayman., & Adam Nayman|AUTHOR. (2018). The Coen Brothers. Abrams.

Chicago / Turabian - Author Date Citation (style guide)

Adam Nayman and Adam Nayman|AUTHOR. 2018. The Coen Brothers. Abrams.

Chicago / Turabian - Humanities Citation (style guide)

Adam Nayman and Adam Nayman|AUTHOR, The Coen Brothers. Abrams, 2018.

MLA Citation (style guide)

Adam Nayman, and Adam Nayman|AUTHOR. The Coen Brothers. Abrams, 2018. Web.

Note! Citation formats are based on standards as of July 2010. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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Grouped Work IDfd75f9ad-5dcd-a072-a34e-50b706b95759
Full titlecoen brothers
Authornayman adam
Grouping Categorybook
Last Update2020-08-30 16:21:50PM
Last Indexed2021-06-20 04:02:36AM

Book Cover Information

Image Sourcehoopla
First LoadedSep 28, 2019
Last UsedJun 5, 2021

Hoopla Extract Information

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    [synopsis] => From such cult hits as Raising Arizona (1987) and The Big Lebowski (1998) to major critical darlings Fargo (1996), No Country for Old Men (2007), and Inside Llewyn Davis (2013), Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. In The Coen Brothers: This Book Really Ties the Films Together, film critic Adam Nayman carefully sifts through their complex cinematic universe in an effort to plot, as he puts it, "some Grand Unified Theory of Coen-ness." The book combines critical text-biography, close film analysis, and enlightening interviews with key Coen collaborators-with a visual aesthetic that honors the Coens' singular mix of darkness and levity. Featuring film stills, beautiful and evocative illustrations, punchy infographics, and hard insight, this book will be the definitive exploration of the Coen brothers' oeuvre.|Adam Nayman is a contributing editor for Cinema Scope and writes on film for The Ringer, Sight and Sound, Reverse Shot, and Little White Lies. He has written books on Showgirls and the films of Ben Wheatley, and lectures on cinema and journalism at the University of Toronto and Ryerson University.
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