The eye. Sam Taylor-Wood.
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Kanopy Streaming, 2014.
Physical Desc
1 online resource (1 video file, approximately 31 min., 37 sec.) : digital, .flv file, sound
Status
Description
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More Details
Format
eVideo
Language
English
Notes
General Note
Title from title frames.
Date/Time and Place of Event
Originally produced by Illuminations Media in 2005.
Description
Many of Sam Taylor-Wood's distinctive photographs and films depict an affluent and fashionable social scene. But her concerns are often isolation and anxiety, conflict and alienation. Her art is alluring and disarming, and also frequently formally inventive. She uses multiple screens, still images combined with sound, and complex interior views conjured up with a panoramic camera. Among her earliest photographs are confrontational and sexually charged self-portraits. Recently, after two periods of treatment for cancer, she has returned to exploring, both directly and allusively, images of herself. Religion too has become a focus for many of her artworks, which at times echo and extend the forms of religious art of the past. In this film, which features extracts from many key works including 16mm, Brontosaurus and Still Life, Sam Taylor-Wood reflects on her concerns and ways of working, on autobiography in her art, and on sex and death.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
(2014). The eye . Kanopy Streaming.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)2014. The Eye. Kanopy Streaming.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)The Eye Kanopy Streaming, 2014.
MLA Citation, 9th Edition (style guide)The Eye Kanopy Streaming, 2014.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
4a7d5f59-6cc6-1a42-1487-634c40e08cea-eng
Grouping Information
| Grouped Work ID | 4a7d5f59-6cc6-1a42-1487-634c40e08cea-eng |
|---|---|
| Full title | eye sam taylor wood |
| Author | kanopy |
| Grouping Category | movie |
| Last Update | 2022-07-12 21:16:40PM |
| Last Indexed | 2024-04-17 03:23:24AM |
Book Cover Information
| Image Source | sideload |
|---|---|
| First Loaded | Aug 26, 2022 |
| Last Used | Jan 29, 2024 |
Marc Record
| First Detected | Aug 02, 2013 12:00:00 AM |
|---|---|
| Last File Modification Time | Aug 01, 2021 04:45:12 AM |
MARC Record
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| 520 | |a Many of Sam Taylor-Wood's distinctive photographs and films depict an affluent and fashionable social scene. But her concerns are often isolation and anxiety, conflict and alienation. Her art is alluring and disarming, and also frequently formally inventive. She uses multiple screens, still images combined with sound, and complex interior views conjured up with a panoramic camera. Among her earliest photographs are confrontational and sexually charged self-portraits. Recently, after two periods of treatment for cancer, she has returned to exploring, both directly and allusively, images of herself. Religion too has become a focus for many of her artworks, which at times echo and extend the forms of religious art of the past. In this film, which features extracts from many key works including 16mm, Brontosaurus and Still Life, Sam Taylor-Wood reflects on her concerns and ways of working, on autobiography in her art, and on sex and death. | ||
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