Branding the American West : paintings and films, 1900-1950
(Reference Book)

Book Cover
Average Rating
Published
Norman : University of Oklahoma Press, 2016.
Physical Desc
xiii, 224 pages : color illustrations ; 29 cm.
Status
Rawlings Branch - WESTRES
WR 700.458 B
1 available

Description

Loading Description...

Also in this Series

Checking series information...

Copies

LocationCall NumberStatus
Rawlings Branch - WESTRESWR 700.458 BNot For Loan

More Like This

Loading more titles like this title...

More Details

Published
Norman : University of Oklahoma Press, 2016.
Format
Reference Book
Language
English

Notes

General Note
"Published on the occasion of the exhibition Branding the American West: Paintings and Films, 1900-1950, organized by the Brigham Young University Museum of Art, Provo, Utah, and the Stark Museum of Art, Orange, Texas."
Bibliography
Includes bibliographical references and index.
Description
"Artists and filmmakers in the early twentieth century reshaped our vision of the American West. In particular, the Taos Society of Artists and the California-based artist Maynard Dixon departed from the legendary depiction of the "Wild West" and fostered new images, or brands, for western art. This volume, illustrated with more than 150 images, examines select paintings and films to demonstrate how these artists both enhanced and contradicted earlier representations of the West. Prior to this period, American art tended to portray the West as a wild frontier with untamed lands and peoples. Renowned artists such as Henry Farny and Frederic Remington set their work in the past, invoking an environment immersed in conflict and violence. This trademark perspective began to change, however, when artists enamored with the Southwest stamped a new imprint on their paintings. As we discover through the paintings showcased in this book, the Taos artists of New Mexico depicted a landscape, people, and environment immersed in change. At the same time Maynard Dixon expanded that vision, and his trademark Thunderbird signature gave literal meaning to the branding concept. The contributors to this volume illuminate the complex ways in which early-twentieth-century artists, as well as filmmakers, evoked a southwestern environment not just suspended in time but also permanent rather than transient. Yet, as the authors also reveal, these artists were not entirely immune to the siren call of the vanishing West, and their portrayal of peaceful yet "exotic" Native Americans was an expansion rather than a dismissal of earlier tropes. Both brands cast a romantic spell on the West, and both have been seared into public consciousness"--Jacket.

Reviews from GoodReads

Loading GoodReads Reviews.

Citations

APA Citation, 7th Edition (style guide)

Wardle, M., & Boehme, S. E. (2016). Branding the American West: paintings and films, 1900-1950 . University of Oklahoma Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Wardle, Marian, 1949- and Sarah E., Boehme. 2016. Branding the American West: Paintings and Films, 1900-1950. University of Oklahoma Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Wardle, Marian, 1949- and Sarah E., Boehme. Branding the American West: Paintings and Films, 1900-1950 University of Oklahoma Press, 2016.

MLA Citation, 9th Edition (style guide)

Wardle, Marian, and Sarah E. Boehme. Branding the American West: Paintings and Films, 1900-1950 University of Oklahoma Press, 2016.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

Staff View

Loading Staff View.