This Oscar-nominated film opens with an absurd act: stealing a door. Then, what had seemed an absurd act turns into a simple statement of human dignity, of people making sense of loss through ritual. THE DOOR reflects on the fact that it is based on someone's testimony. Images are impressionistic, haunting, like fragments of memories which the viewer must piece together. Although the main character, Nikolai, gives us the facts, he himself is trying...

A French romantic comedy concerning an unlikely relationship between two Parisians, Variety called ODETTE TOULEMONDE "A Charmer! An adorable slice of magical realism that thumbs its cinematic nose at the intelligentsia." The title character (Catherine Frot) is a forty-year-old saleswoman, saddled with two children (an adolescent daughter and a hairdresser son), who spends her days hawking cosmetics from behind the counter of a Parisian department...

This production is part of a famous series produced by BBC of all of William Shakespeare's plays. The resulting films, renowned for their loyalty to the text, utilized the best theatrical and television directors and brought highly praised performances from leading contemporary actors. The trickiest sort of play -- a comedy with tragic relief. With her brother condemned to die for the crime of premarital sex, Isabella is torn between her vows to God...

Produced and directed by Kidlat Tahimik, this brilliant semi-autobiographical fable tells the story of a young Filipino born in 1942 (during the Occupation), his awakening to, and reaction against, American cultural colonialism. In his small village, Kidlat dreams of Cape Canaveral and listens to the Voice of America; he's even the president of his village's Werner Von Braun fan club. Winner of the Berlin Film Festival International Critics Award...

A couple's compassion is put to the test when they come across a sinking ship of refugees while on a pleasure trip across the Mediterranean. Winner of Best Film and Best Live Action Over 15 Minutes at the Palm Springs International ShortFest, Best Short Film and Best Narrative Short at the San Diego Film Festival, and the Swiss Film Prize for Best Short Film.

Peter Mettler's enthralling, mind-bending new documentary is a tour de force that challenges our conception of time - and perhaps the very fabric of our existence. With stunning cinematography and a knack for capturing astonishing moments, The End of Time travels the planet - from the CERN particle accelerator outside Geneva to the lava flows of Hawaii; from a disintegrating Detroit where Henry Ford built his first factory to the tree where Buddha...

Beyond its obvious cultural significance as the only classic film noir directed by a woman (actress Ida Lupino), THE HITCH-HIKER is perhaps better remembered as simply one of the most nightmarish motion pictures of the 1950s. Inspired by the true-life murder spree of Billy Cook, THE HITCH-HIKER is the tension-laden saga of two men on a camping trip (Edmond O'Brien and Frank Lovejoy) who are held captive by a homicidal drifter (William Talman). He...

This production is part of a famous series produced by BBC of all of William Shakespeare's plays. The resulting films, renowned for their loyalty to the text, utilized the best theatrical and television directors and brought highly praised performances from leading contemporary actors. Jealousy in love is one of the most common of human emotions. In OTHELLO, Shakespeare combines this universal theme with perfectly structured scenes, a storyline that...

In this sun-drenched melodrama (a remake of the 1940s classic by Marcel Pagnol), acclaimed French actor Daniel Auteuil directs and stars as the eponymous well-digger Pascal, a widower who is torn between his sense of honor and his love for his eldest daughter, Patricia (the luminous Astrid Bergès-Frisbey), when she gets impregnated by a wealthy young pilot.

An amazingly sympathetic portrait of a figure historically given very short shrift: the title character is not only a two-timer—he’s a traveling salesman as well. But, as embodied by that perpetually pressured everyman of the 1950s, Edmond O’Brien, the bigamist comes across as a victim of his own sensitivity. Caught between two complementary spouses, O’Brien’s dazed indecisiveness dominates the narrative. As always in Ida Lupino’s directorial...